Tag Archives: Julie’s Nursery

The Nest

BY KIMBERLY MAYER

A hanging fuchsia basket recently sold at Julie’s Nursery on San Juan Island and was promptly returned when the customer found a nest in it at home. The nest was built in a hollow at soil level and contained three little eggs. Julia exchanged the basket, and hung this one where it had been hoping the mother bird would not abandon it.

“Sure enough,” exclaimed Julia, “soon there were four eggs!”

Four eggs, it turns out, is the normal clutch of eggs for a Junco, who usually lay one egg per day. Thanks to swift observation on the part of the customer, the clutch is now complete and Julia watches over the nest in her nursery today.

My childbearing years are behind me, but I will always equate nests with homes.

Once I lived in a perfectly beautiful house in Bryn Mawr, Pennsylvania. How we got there I haven’t a clue, for we deeply loved the town in California we had to leave for Bryn Mawr, and were as happy, settled, and committed as we had ever been, anywhere. Then the next thing you know we left this perfect house because my husband’s job was moving us west again, this time to Seattle.

It was at this point that a friend of mine gave me Louise Gluck’s poem “The Nest,” torn from the pages of The New Yorker. I carried that poem with me. It worked its way into my very being. “The Nest” spoke to me so much it was as if I had written it. In the end, that poem was a springboard or prompt for a memoir I wrote. A memoir that has everything to do with nature, homes, and moving.

 

A bird was making its nest.

In the dream I watched it closely.

 

I mention this because my youngest sister in Boston is looking to move. No one’s job is requiring it, for they both work remotely. They just want to find a place where they might like to retire. Which is what we did on San Juan Island from Seattle, and now I can say I live in a perfect place. And having written a manuscript about new starts, I am trying to help her with this.

 

It had it’s task:

To imagine the future.

 

So how is it happening that I am falling in love with Cape Cod? I’m smelling salt air, suntan oil, seaweed, and lobster, all swirled into one. It’s knowing that all those barns on 6A are filled to the rafters with antiques, a browser’s paradise year after year. And all the writers and poets and artists who migrate to Provincetown. Perhaps the grass really is greener… Afterall, Annie Dillard moved from Lummi Island, Washington to the Outer Cod.

 

I had nothing to build with.

It was winter: I couldn’t imagine

Anything but the past. I couldn’t even

Imagine the past, if it came to that.

 

This is exactly what gets me every time: this desire to change my life. I think, what am I doing here when I could be there? Or there? Or there? Sometimes it scares me. And it should really scare my brother-in-law because before we knew it, our other sister was seeing herself on Cape Cod as well. The three of us residing in a community of small shingled cottages just steps from the beach and just steps from each other.

We had it all worked out, aging together. Our younger sister would get a foothold in the first cottage, and let us know as other cottages become available. We’d start our own book group there, opening it to others as we met them. We’d help each other out with guest rooms when one was experiencing an overflow of guests. In time, we would come to be known as “the older sisters” in our new seaside town.

 

And I didn’t know how I came here.

Everyone else much further along.

I was back at the beginning

At a time in life we can’t remember beginnings.

 

What our husbands were going to do, I don’t know. Fish?

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The Flight of the Hummingbird

Photo by Paul Mayer

BY KIMBERLY MAYER

 

“I can’t do this,” he said.

My father was a smart man. He may have figured it out. Coronavirus was sweeping through his assisted living facility outside Boston, and everyone was being tested, residents and staff alike.

A modest man, in his own quiet way he was extrordinarily accomplished in his life. But at ninety-six years of age he wasn’t up for something unknown that no one knew how to treat. That much he knew. He read The Boston Globe daily.

“Life goes on until it ends,” that’s what dad always said when he was trying to help me with my inconsolable grief in losing others.

Deeply worried about him, yet unable to be there, I ran off to the nursery to fill three large hanging baskets. I needed something to do. Tired of looking at last summer’s geranium mummies, I’d start over with fresh soil, and—on the drive to town I saw it clearly—hanging fuschia. A nectar producing plant with tube-shaped blooms specially adapted to accommodate the long bills of hummingbirds, my father’s littlest friends.

It was there at the nursery when I received the call. Hospice was by dad’s side now and this was my only chance to say goodbye. I think I said, “I’m at the nursery, daddy. You’d be here too, if you were with me, and we’d be extraordinarily happy.” Something nonsensical like that.

Looking back, purchasing plants at nurseries may have been one of my father’s only indulgences. Together we could spend half the day there filling our wagon, and often did.

I was crying so hard, I was grateful to be masked.

At the same time, my project remained important to me. Julie of Julie’s nursery helped me load trays of twenty-four fuschia starts, eight for each basket, into the back of my car. She advised peat be mixed half and half with potting soil, and an organic flowering fertilizer which looked a bit different than my organic fertilizer at home, so I purchased that too. Julie could have sold me the moon that day, anything in the rush to grow my beautiful baskets.

We set up the planting operation on the picnic table at home. The table Bill Maas built when we first arrived on island. Eight fuchsia starts per basket, hung, and watered gently. They looked so lighthearted and promising beneath the eave. In the evenings we covered the baskets with clear plastic, for it’s still cold. And every morning, the unveiling. There is something in that ritual too.

There are two species of hummingbird on island: Anna’s and Rufous. Native to Western coastal regions, Anna’s Hummingbirds are increasingly found here year-round, living in the branches of our coastal scrub. Rufous Hummingbirds, on the other hand, have the longest migration of any bird their size. Wintering in Mexico, spring in California, summers in the Pacific Northwest and Alaska, and zipping over to the Rocky Mountains for fall before returning to Mexico. Feisty and territorial, the visiting reddish brown Rufous try to chase off the resident emerald green and gray Anna’s each year. So we just keep putting up more feeders and more nectar producing plants to accommodate every one.

When we moved onto San Juan Island, mom and dad’s place on The Cape was very much on our mind. Shingled cottages by the sea. Ragtag fleets of boats by the water’s edge in summer. Clams in the muddy sand. And a writing hut where Dad had had a garden shed. The baby mice that once fell onto the brim of dad’s hat when he was puttering around in the shed. He cared for them too.

Dad has always been with me in writing, in gardening, and now, birds. He wrote his memoir, which prompted me to write mine. He explained Master Gardeners to me as “missionaries of the gardening world, Jesuits for all their knowledge,” and I became one. He led by example in the garden, and now he’s got me loving birds.

“What we care for, we will grow to resemble. And what we resemble will hold us, when we are us no longer…” Richard Powers

 

 

 

 

 

 

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Filed under Coronavirus, death of a father, fuschia plants, hummingbirds