BY KIMBERLY MAYER
Some of us consider our outdoor space essential to our survival, but really we’re just fortunate. If windowsills were all I had I’d be growing something on that, and that would be my story. But as it is, I am dealing with a deck, an upper deck. And a deck, I dare say, is different than a patio in terms of what it wants.
The deck below it knew just what to do. It’s appointed with half a dozen Adirondack chairs, cedar stump tables, lifejackets of every size hanging on a rack, and a bevy of water shoes, boots, and waders in a cubby. Considering where we are and what we’re about, it’s perfect.
The top deck, my concern here, steps off our open space living/dining/kitchen, and is currently furnished with all the traditional black wrought iron furniture that moved in with us from other homes. And they just don’t work in this modest cedar shake house in-the-woods-by-the-sea.
I had gathered these pieces by visiting consignment stores along The Main Line outside Philadelphia in the two years we lived there. We were living in an old stone farmhouse at the time, and for the Pennsylvania Bluestone patio I picked up assorted wrought iron pieces, mismatched sets, in various colors. Sanded them all and gave them a coat of flat black Rustoleum. It worked. The furniture looked like it been with the house for all time. We felt remarkably settled on that patio in Bryn Mawr, in the evenings mainly as the summers were so warm. Canapies and cocktails, the sound of cicadas, and fireflies dancing across the lawn until it was time for bed.
Then we moved west and I didn’t know what else to do but load all my patio furniture into the moving van. It took awhile but finally, six years later, the traditional wrought iron looked well appointed again on the patio of a small English Tudor on Queen Anne hill in Seattle. Every square inch in a walled city garden is precious. The cushions were upholstered in a black & white awning stripe, and a dining table, chairs, and a candelabra, all in black, were added to the collection. A green oasis where climbing hydrangea scaled the walls under a pair of magnolia trees, our outdoor room was reminiscent of New Orleans, Paris, or Nob Hill in Boston.
From there we moved out to The San Juan Islands and all the wrought iron pieces came with me again, and they shouldn’t have. If furniture could talk they would have told me this.
Now here we are, where the trees meet the sea in a home in the woods on a bay eleven nautical miles off the state of Washington mainland, north of Victoria, B.C. Both rustic and remote, we couldn’t fantasize New Orleans, Nob Hill, Paris, or even Queen Anne, if we wanted to. The uptown girl furniture was made for patios, and patios, by nature, are turned inward. A patio is social. Upon the upper deck, we are always turned out. We listen to birdsong and our gaze is far. Like the running boards of the deck our line of sight extends to the sea, the stretch of beach, the coastal shrubs, the stance of heron, the flight of the osprey, and the rising moon. This land, this sea, this sky, becomes us.