BY KIMBERLY MAYER
There are people in our lives who have an influence they’d never know. My parents instilled a love for Cape Cod that we find in many ways living here on San Juan Island in Washington. The friend in California who suggested a year or so ago that I rein in this blog to a remodeling theme: remodeling a house, remodeling a life—the same thing, in my book. Our daughter, now living in Argentina, who upon visiting before her departure grew my daily walk by a beautiful mile or two. And in sending me a video of the works of sculptor Anthony Howe on neighboring Orcas Island, my cousin in Atlanta reminding me to stay with art every day. And to try not to stray.
They are all part and parcel of who I am, why I’m here, and how I see it.
“Walking the loop” began as a tradition while living on upper Queen Anne in Seattle and continues out here today. That first loop took me around the perimeter of the hill, overlooking the Space Needle and downtown Seattle, Lake Union, and Puget Sound. Today’s loop takes me alongside Westcott Bay, and through the red, white and blue nostalgic quality of Roche Harbor Resort where everyone looks good in the light. Finally, the road meanders through an old growth forest of cedar, fir, and pine where everything grows dark and green, and back to my home on the bay.
Where the road dips down to the shoreline I experience what I call a Cape Cod moment, framed by flatlands, grasses, marshes, and horizon. In the course of this walk I may pass only one or two cars on the road, a few more in summer, on an island where every driver waves.
This is the walk my daughter grew, taking it out on a point to new terrain, the posh end of White Point Road. Here I pass tennis courts where nobody’s playing, a pond with a dock establishing someone’s swimming hole, and a private golf course back in there somewhere, for I’ve seen it from the water. Horse fencing and regally high pampas grasses standing like sentry guide the way. Crushed white shells underfoot line the one-lane road at sea level. It’s as private as private can be, except for me, out on this point.
Here I gape at houses, something that seems to be my lot in life: the desire to see myself in other spaces, other places. On walks I finish unfinished houses in my mind, or tear them down and start again. As anyone in the field knows, design is never done. When the bones are good, I may mentally repaint it, or envision it clad in cedar shingles, dark, red, natural or a weathered gray.
At home, the short video on the kinetic sculpture of Anthony Howe awaits me. It’s mesmerizing. How did my cousin know to send this now? I needed it. Isn’t art what ultimately pulls us through? All the arts, always. And art as balm, particularly in troubling times. Which is where we are today.
“After reading the newspaper on Sunday, I sit quietly and simply look at art books.” Michael Graves