Category Archives: interior design

A Circle of Six

6 Chairs

My husband and I are between homes and living on a boat in The San Juan Islands. Our home of the last seven years in Seattle is on the market. We left it looking picture perfect for a remodel project that we go to every day, on island. First we fell in love with the island, and then with the property: a sloping side of old growth forest on a quiet bay.

The house itself was hideous, but we knew we could do something with that. “There never has been a house so bad,” noted Elsie de Wolfe, “that it couldn’t be made over into something worthwhile.” Elsie was the woman who practically invented Interior Design.

But back to the land. Afterall, it’s all about the land and the sea. That’s what calls us here and holds us here. We reimagine our lives with each move.

My philosophy in moving–I’ve moved often enough in my life to have developed a philosophy–is to create a zone that I can go to initially, where everything is ideal. I can’t tell you how often these “rooms” have been outdoors.

In San Diego I found a shady spot out back under a trellis draped in grape vines where I contemplated growing everything in mossy, old world pots. It was my sanctuary.

And when all the house was covered with drop cloths in the tumult of renovation on Mercer Island, the deck was what pulled me through. Out there I saw how well the orchid plants were doing, resting on the rail overlooking the lake after their cross-country move in a truck. We had flown in, how could I complain?

Here, I created my zone by carrying up rocks from the beach and building a fire pit in a clearing. Around that I envisioned a circle of cedar Adirondack chairs. It was as simple as that and we built it.

So our pow wow is up and ready, long before the house. This is where I sit under the cathedral of trees and remember why I am here. I will learn the bird calls by day and find my way among the stars at night. And it will all be so clear.

Everyone has their own immigrant story, but at one time we were all indigenous people somewhere. Come, count yourself among us.

 

 

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The Gods Amongst Us

When I was in my late twenties and living in San Diego I was fortunate to land a position in an interior design firm that had a highly acclaimed name in Southern California. The name was the owner’s, Gerald Jerome. He was considered a master, and no one knew it more or believed it more than himself and his staff. Looking back, we were almost like a cult.

Working for meager salaries we thought nothing of staying until midnight if that’s what it took to meet deadlines. And that frequently happened because Gerry, quite the salesman, made promises he wouldn’t have kept otherwise. None of us could have possibly had a child or a marriage and survived that employment. Still, we were for the most part young and told ourselves that we were the fortunate ones, that there were hundreds of designers out there with portfolios under their arms who would love to have our jobs.

So we worked for the association with Jerome, the hope that some of his genius would spill over, and that one day too we might be on our own. Such is the nature of the field, it is almost medieval like the apprentice system. Gerry Jerome relished that. He had a larger-than-life persona, and oftentimes while we were under the gun he made himself at home in our office, sitting back with a vodka & tonic, telling tales. Meanwhile we were at our drafting tables working, flying down the hall to make blueprints, organizing all the materials he would need for his meeting with the client in the morning, and driving home half dead.

His genius, the look we became so good at, was over-scaled and custom-designed for the most part. His interiors favored textures such as wood, stone, wool, leather, hide, over pattern, unless it was tribal, an ikat or a primitive rug. He combined contemporary with primitive, with little to nothing in between. His color palette favored the naturals, and we tended to steer clear of color with the exception of “Jerome red,” a brick/rust red. Everything Had to Make a Statement. It was design with a man’s hand. And his signature at the end of a job was often a custom designed door that stood twice as tall, twice as wide, made of copper or carved. One had to marvel at how easily it swung.

I knew I was over the edge when one day my brother-in-law, a Boston based writer and filmmaker on assignment in LA, came to visit, and I tried to explain to him that Jerome was “like a god.” All my brother-in-law had to do was give me that look and I knew. Not that I was going to do anything about it. You have to remember, I was in heaven.

Looking back, much was not right. All those hours without overtime pay, the chauvinism we endured, the salaries that might have been better but for the fact that Jerome was fond of making deals with his clients, and often took payment in the form of a rare Pre-Columbian sculpture, a Tamayo or Francisco Zuniga painting, or a large piece of quartz, all of which were showcased in his home in Mission Hills.

And then one day, after he had turned all other clients away so that our small firm could oversee an enormous convention hotel project in Mexico with Westin, we woke to find that the Mexican economy had collapsed overnight and the government had imposed a freeze on the American dollar. I didn’t understand the economics then and I don’t understand it now, but Westin pulled out and Gerry Jerome laid us all off. Just like that.

For years afterwards in whatever I did in the arts, I felt Jerome over my shoulder, bellowing if he didn’t like what I was doing, or laughing that I “designed like a woman” (the ultimate insult).We put up with such behavior in a person that extraordinarily talented or bright, and here he wasn’t even around. I was married and at home with my first newborn when I received a call from an old associate in our firm, informing me that Gerry Jerome had died. He had come home, slipped out of his Italian shoes, and suffered a heart attack while sitting up in bed reading “Architectural Digest.” There always had been a matter with his heart; I seem to recall it ran a little fast. His memorial service had come and gone—while I was in labor and in the hospital giving birth–and I never had a chance to say goodbye to this man who had meant the sun, moon and stars to me. How many people can be that significant in a lifetime?

Later when my life took a decidedly literary turn, I assured myself that I would always have a hand in interior design so long as I had a shelter to live in. I think it was only in writing that I didn’t feel Gerry Jerome lording over me. It is in writing that I would find my own voice, and what looks like my own design style while I’m at it.

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