Tag Archives: Washington D.C.

A Candle in the Dark

 

photo by Paul Mayer

 

BY KIMBERLY MAYER

 

We all lost a giant in Chief Justice Ruth Bader Ginsburg on September 18. On San Juan Island, The League of Women Voters held an evening vigil on the courthouse lawn in Friday Harbor. As I write these words I realize how quaint that sounds, and how quaint it was indeed. An island, like a microcosm, in a state that refers to Washington D.C. as “the other Washington.” But if D.C. is white marble and power, we are green and cooperative. If D.C. is many, we are few. And if they’re dressed in suits and heels, we live in comfortable clothes and comfortable shoes. Otherwise we’re just the same.

I had the privilege of riding to the vigil with my neighbors, Susan and Michael Martin, who recently moved onto the island from D.C., where they’d been annual season ticket holders at Washington National Opera. There they were seated near the Ginsburgs, enjoying what they called “a nodding relationship” with the other couple. Susan spoke at our vigil on island. Carrying low voltage candle lights in the dark, we all stood around her in a circle. Susan’s stories humanized Ruth for us as a woman who valued her family, friends, and the arts—especially opera.

“When I am at the opera I get totally carried away,” Ruth said. It’s a delightful thought, that this extraordinarily intelligent, disciplined, and practiced woman had her moments like that at the opera.

Soon other stories flowed forth of RBG’s impact on all our lives. One woman in the circle had served in the military “when you were discharged if it was discovered you were pregnant.” Many women remembered having to get their husbands’ signatures for a credit card, even to a department store. And another who stated that up until 1974, women had to leave the Foreign Service if they married. In the end, we all sang “We Shall Overcome” through our masks, before going off into the night.

Perhaps most poignant and seared into my memory for eternity, is Saul Loeb’s photograph (The Atlantic) of all the former clerks attired in black standing at attention, socially distanced, on the steps of The Supreme Court to meet the casket when the Former Associate Justice of the Supreme Court of the United States came to lie in repose.

And from somewhere, friend and contemporary Gloria Steinem cried, “I thought she was immortal.”

~~~

In the forest Mother trees are the largest trees, passing their legacy on by nurturing others. Reaching with deep roots, Mother trees draw water to help support and shape younger shallow-rooted trees. Moving carbon and mineral nutrients to one another, and even communicating with each other—signaling dangers such as droughts, disease, and insect attacks through fungal networks–Mother trees insure regeneration.

The maternal instinct of trees was brought to light by Dr. Suzanne Simard, Professor of Forest Ecology at the University of British Columbia. “These discoveries,” she writes in The Hidden Life of Trees, by Peter Wohlleben, “have transformed our understanding of trees from competitive crusaders of the self to members of a connected, relating, communicating system.”

In other words, for interspecies tree communities to thrive in the forest it isn’t ‘survival of the fittest,’ but rather interdependence. “To reach enormousness, they depend on a complicated web of relationships, alliances and kinship networks,” writes Richard Grant (“Do Trees Talk to Each Other?” Smithsonian Magazine, March 2018).

As a litigator fighting for equal protection for men and women, RBG modeled herself after Thurgood Marshall in his struggle for civil rights in our country. Mentors for the ages, both. At 5’1” Chief Justice Ginsburg stood like a Mother tree in our time, leaving a legacy to shape future generations.

It isn’t always about today; it’s about tomorrow.

Famous for her dissents, RBG explained “Dissents speak to a future age. It’s not simply to say, ‘My colleagues are wrong and I would do it this way.’ But the greatest dissents do become court opinions and gradually over time their views become the dominant view. So that’s the dissenter’s hope: that they are writing not for today but for tomorrow.” (in an interview with Nina Totenburg, National Public Radio, May 2, 2002)

In the forest, even injured and fallen trees bring life to others.

 

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All Aboard!

As a child traveling Pullman cars with my family through the south and on trips out west, I had a romance with the railroads.  Smiling porters, seemingly as happy as I. Gleaming brass and wood, the freshest of linens, service whenever we wanted it, and always with that smile. I had no idea at the time what a moment in history we were caught in.

The first Pullman porters were recruited from the first generation of black men to be freed. It had to be considered a desirable occupation at the time. Porters were trained in schools and wore their uniform proudly, but their working conditions were horrendous. Meager wages, hurried meals, 400 hours of work per month, catering to rich white passengers, some of whom felt free to buzz all night and call any porter “George,” after George Pullman.

And yet the Pullman porters’ contribution to the Civil Rights Movement was immense. Forming the Brotherhood of Sleeping Car Porters in 1937, it was the first organized black labor union and wages finally  improved. Porters were couriers for “The Chicago Defender,” an African American newspaper that advertised job and living opportunities in the urban north, helping to encourage the migration of African Americans from the rural south.

I learned all this while enjoying the “Pullman Porter Blues” theatrical production at Seattle Repertory Theatre. The year is 1937, on the eve of the first black heavyweight championship, and hopes are high for Joe Lewis among porters aboard the Panama Limited, bound from Chicago to New Orleans. Three generations of men serve as porters. Musicians and singer Sister Juba are along for the ride, wailing blues, spirituals and slave era work songs. The set is designed like a fast moving train and moves seamlessly between luxury Pullman cars to coach, cargo, and caboose, and I’m in heaven….

And this ride isn’t over. Next stop is Arena Stage in Washington D.C. (opening November 23). We are casting our ballots out here and sending local playwright Cheryl L. West’s “Pullman Porter Blues” to “the other Washington,” as we call it. Consider them both, our vote and this production, from Seattle with love.

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