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About a little elbow room

Kimberly Mayer received a B.A. from Emerson College, Boston, and an M.F.A from Goddard College. Her memoir, "The Making of a Master Gardener" was awarded first place in the Pacific Northwest Writing Association Literary Contest. She recently completed her first novel, "Black Angels," and is currently at work on a sequel to it. Kimberly lives, writes, and revises in Seattle, Washington. Currently, Kimberly is a Contributing Blogger at "Pyragraph," the online magazine for the arts. http://www.pyragraph.com/?s=Kimberly+Mayer

Practical Jokes

the-joker

I should have known better. I had no sooner thrown out “write about a practical joke you played” as a prompt in my writing workshop last week, when all the faces around the table looked puzzled.

Practical jokes seem to have gone out of favor, which makes me wonder whether we might be too serious? Down right dour, in fact.

I found a couple, but it wasn’t easy. Had to go back nearly fifty years to fetch them. Slippery things, I had to grab them by the tail.

Mine were played with the same accomplice, my younger sister, Beth. In the first instance we enjoyed switching places on the telephone. Based on more than one adult exclaiming that our voices sounded remarkably alike, and that they couldn’t tell who they were talking to unless we identified ourselves. Based on this, we had some fun.

Beth would get on the phone with her friend, Jill, for example, and I’d hear her every word. You have to remember this was back in the days when phones were tied to the wall and the person on the phone couldn’t wander more than a few feet. Everyone heard everything.

Then with just a nod from Beth, I’d take the phone from her midstream in her conversation, and keep it going—while she peddled as fast as she could a mile or so down the road to Jill’s house.

“Hold on, someone’s at the door,” Jill would say, as she put the receiver down for a moment.

I had heard the doorbell ring, and soon the shrieks. It happened every time as she opened the door to find my sister standing at her door, panting.

It took us awhile to outgrow this prank and move on. We were good at it, and it worked every time.

The next level happened a few years later. I was at an all-girls’ school by then, early high school, in which our entire social life with boys came down to occasional “mixers.” Dances with all-boys schools a good distance away. Either the boys were bussed, or we were bussed, and maybe there would be some follow up in calls or letters. Otherwise it was pretty impossible to see anyone again, which I’m sure was the whole point.

At one mixer I met a boy named David, and we managed to stay in touch. Months later, on a vacation when he we were both at home, he called and asked me out on a date. David must have been sixteen and had wheels.

How his call got past my sister, I don’t know. But her wheels were spinning when she dropped into my room as I was getting dressed.

“Wouldn’t it be funny,” Beth mused, “if we switched, and I came down the stairs instead? Do you think he’d notice?”

I looked at her—she was only about thirteen, still in pedal pushers with skinned knees. But a budding actress, you have to remember, sees clothes as costumes. Opportunities.

I went along with it only because I thought it would all be over fast.

Next we had to convince my grandmother to play along, as she was sitting while our folks were out of town. But Nana too thought he’d get to the end of the driveway with Beth, and bring her back.

When David arrived I was dressed and waiting upstairs, listening over the stairwell. The surprising thing was how well it was all going, including dear Nana calling Beth by my name. There was the usual flurry of goodbyes, the front door shut, and silence.

They didn’t come back and they didn’t come back.

Nana and I waited up on the sofa together until what seemed like 2 am, but wasn’t. Again and again, I assured her that this young man I hardly knew was “a nice boy.” Which he was.

Postscript: Thank you, David Nathan, wherever you are out there.

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Love Beyond Death

by Teri Clifford

Every now and then a piece comes out of our writing workshop that is the best thing I’ve read all week. Teri runs the workshops with me, and our prompt this week was “write about love.”

Both professionally and personally, I have been a part of numerous conversations on the meaning of love lately. They left me reflecting on an experience over ten years ago that I had with my mom as she lay dying at my house. My mother and father had eloped when they were in their late teens. It was wartime and I imagine a sense of love and urgency was in the air, as well as a lack of sufficient funds for a formal wedding. My parents were married for nearly 40 years when my dad died at 56 years old. Fifty-six is young by current standards.

My mom went on to live until she was 82 years old, at least we think that she was somewhere in that age range. She didn’t believe she should tell her age or that one should ask a woman. True to form, every important paper we looked after her death had a different birth year. This was before hospital births or electronic records.

Mom never remarried and she gave various reasons for this over the years. Reasons like she never loved anyone else after my father. Or that men of her age were too controlling, and she never wanted to be under anyone’s thumb. As far as I can remember, she rarely if ever dated after my dad died.

Decades later, she lay dying in a hospital bed at my house and over time she slipped into sleeping more and more, and finally she didn’t have any waking states at all anymore.

One day I was sitting with her and telling her that everything was all right and that we would always love her and would always miss her, but if she was ready, it would be OK to let go. I’m not sure where I’d heard this type of thing but I was very sincere about it. Perhaps since both my dad and my older sister had died at home, I had a bit more thought and practice on the process than some. I decided to keep talking.

Growing more prolific and specific in the space of the deep quiet of a deathbed, I suggested that many family members would be waiting for her, in fact. I began to list the members of our family who had passed on, such as her mom whom she loved very much, and her dad although I did remember that he died when she was young. The father of 9 children, he called all the girls “Sis,” suggesting he hadn’t bothered to remember their names.

Without slowing down I reminded her of her beloved sisters, Aunt Mary and Aunt Reece who would be waiting as well, as Uncle Bud and Uncle George. At this point I must have been in a welcome party hallucination inviting the dead from the worlds beyond. Finally saving the best for last, I recalled for her that her dear daughter Gina would be waiting, as would her only husband. Dad would be waiting to welcome her, too, after 30 years of absence.

At this suggestion, my mother opened her eyes, sat up and grabbed my arm with surprising strength and declared, “I don’t want him to be there!”

Startled out of party planning reverie and more than a little shocked I said, “OK, he doesn’t have to be there.” I glanced anxiously around the empty room hoping someone else had witnessed this.

After this declaration, my mother lay back down closed her eyes again and returned to her coma like state. I slowly recovered and offered a compromise of optimism for her peace of mind and soul (as I believed at the time).

“Well Mom”, I said, “Dad’s been dead a long time and I think its possible he may have changed and been growing over the years. You might enjoy meeting him again.”

With no apparent response from mom, I was finally quiet.

Now more that ten years later I still wonder about my parents love. I don’t believe my mom ever stopped loving him. But I’m pretty sure she had not forgiven him for dying young and leaving her either.

 

Teri Clifford is a masters level trained hypnotherapist and change coach with a private practice on Queen Anne. She loves to help her clients free themselves of limiting beliefs, habits and lifestyles. Teri believes that it’s never too late to have a happy childhood and live your life fully.

website: MakingChangeWithYou.com

contact: teri@makingchangewithyou.com or (866) 282 5676

 

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Paris Piece II

louvre 2

We were going blind living in that small dark hotel in The Latin Quarter. Not really blind, but accustomed to night blindness any hour of the day. It didn’t much matter as every morning we dressed in black and went out. Into the light. Perhaps the only couple in Paris wearing sunglasses. Coming from Seattle, we are accustomed to that.

Back to Paris: if I were transported there in my sleep, I would wake knowing where in the world I was. I was aware of that every minute of every day.

The word for tourist, translated from Greek, is “the lucky invited.” Note to self: remember that, always, when traveling.

Our city treks took us primarily to cathedrals and museums, and it didn’t take long to find our preferences in both. Notre Dame is gothic and dark, and the Musee du Louvre, vast and heavy. Following the arc of the history of art, we were drawn to the light. Impressionism, Pierre Bonnard, Edouard Vuillard, and Claude Monet.

Monet’s immense water lily canvases had moved from the Jeu de Paume over to L’Orangerie since I last visited Paris. Surrounding an oval room with a circular sofa placed in the center, the series was meditative then and meditative now. Nothing in life has changed before these paintings.

In the city I considered neighborhoods built around squares as the most desirable places in which to live. Looking up at their tall graceful windows, I imagined their views of parks and people and green. Living in a painting, what could be lovelier than that?

Then boating on the Seine, riverfront residences replaced all of that for me. Old cities such as Paris were designed to be approached from the water. Suddenly I wanted to go down the river and see all of Europe this way, traveling in all that light.

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Paris Piece I

photo

It was not enough to pack all black for Paris. My husband and I checked into a boutique hotel in The Latin Quarter in which everything was designed to be as dark as night. Black carpeted floors, black upholstered walls, window treatment: black-out drapery, of course. And a night sky ceiling for all the time one spends in bed.

This is the reason women should make the reservations.

Every day we go out, we experience difficulty finding the hotel again. It’s not that way with other sites in Paris, we return to the Orangerie and the parks and markets again and again. But The Seven Hotel, I suspect, moves around by day. It makes sense.

The couple beside me at breakfast converse without words. I suspect everyone here is a spy. My husband, a James Bond fan, has to be in heaven. From now on, for the duration of our stay, I will call him James.

While I grope around with night blindness, James has the lighting mastered. Intricate overhead switches, over the bed, turn on the lowest possible level of light in stars in the sky (our ceiling), and with a little more intensity—all low, mind you—the Lucite “floating” furniture. The bed floats as well. Small room/ big bed. Picture yourself in a spacecraft at night, when the sun is on the other side of the earth from your craft.

Mirrors help enormously. Stepping out of the shower and unable to find bath towels, I looked up and spotted them in the mirror. But how I do my make-up daily is anyone’s guess.

James turned fifty-eight here this week. We were quiet about it, of course.

The last time I was in Paris was with my sister right after college. I won’t tell you how many years ago. But this I know in Paris: I am still the same age here, with all of my life before me. Didn’t need make-up then, and maybe I don’t now.

Now how many places on earth can make you feel like that?

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Priorities

woman trimming tree

I had every intention of writing about priorities, but I’m having issues. Priority issues. Writer, teacher, feminist and activist Grace Paley noted, “Writers write about what we don’t know about what we know.” In which case I should be able to write volumes.

My experience in graduate school was much the same. The weekly requirement to read a book and write an annotation on it trumped moving my thesis along. Now I need to see that blogging doesn’t encroach on editing and publishing that manuscript, a novel. Or the gardening memoir that has been marinating far too long.

Things are piling up around here.

But it’s all good. All writing is rewriting, and that’s what I am doing.

Quit blogging, you say? Not a chance. The first step in writing is observation. Writers walk into the world with antennae, and prompts pop up as sure as spring. Themes seem to find us. The rest is practice.

“If you write for yourself,” writes William Zinsser, “you’ll reach all the people you want in your writing.” This line could be a blogger’s maxim.

Today one of the first questions that an agent or publisher asks a writer is whether she has an audience. Well, that would be you.

We can make this happen.

The gardening memoir should be published first. I have already purchased the stationery with which I intend to reply to readers’ letters. Stored in safekeeping: dozens of orange boxes of notecards of ladies gardening, as well as designs for gentlemen, illustrated by Laura Stoddart (pictured). Hopefully one day you’ll receive one.

And so it goes, carts before horses in everything. Priorities.

Man with Flower

 

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Sign of the Whale

bulletin_summer2009-killer-whale1I have a friend with a home in the San Juan Islands that has everything one would want in an island home: simplicity of style, plenty of light, beds, beds, beds. Acreage, a deer-fenced garden, Adirondack chairs upon a porch, a lodge pole pavilion with a wood burning fireplace, sunsets over the water, trees, trees, trees. And a writing hut, for she is a writer. I have never been able to understand why my friend is not out there all the time.

Here we go again, ferrying to the San Juan Islands. This would all be good but the boating is flanked by I 5 freeway driving to and fro Seattle. That’s the part that isn’t right. Otherwise we are talking about what I consider one of the nicest cities in the country and one of the most pastoral and serene of seaside places. “The islands,” as they are locally known. A tough choice.

On our last trip out to the islands a pod of orcas was alongside us like synchronized swimmers, perhaps as many as twenty. The boat was in waters between San Juan Island and Jones Island, not where whales normally pass. In that moment our boat was the only one around, and we were the only people in the world enjoying the magnificent  sighting. A good sign, I know it is. I could feel it.

Maybe we should say we have lived in the city for a number of years, and a change could be good.

One thing is for sure: we know of no other way to find out.

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Daylight Savings: What I Did with the Hour Lost

Friday Harbor

Daylight savings happened and I have to wonder, whatever did I do with the hour lost? Where’d it go? I know where I was at the time. Driving on I 5 in relentless rain. The monotony of gray. A day as dark as night. Four lanes of cars spraying like a battalion of power boats. Hypnotic windshield wipers. Well what I did with that hour while driving was nothing less than to re-imagine my life.

We were meeting a friend for lunch that day in Blaine, Washington, where he keeps a cabin. Blaine is in Whatcom County and the northernmost town in the state of Washington. Our friend lives in an apartment in Vancouver B.C. and comes to the cabin every chance he gets. He has been doing this for years. There he has guest rooms for his children and grandchildren, a vegetable garden, and a 36’ sailboat in the marina.

Never mind that his cabin is a doublewide, it looked like the good life to me.

In the darkness of winter it is difficult for us to believe we will ever come out of it. It is almost like Whoville. You would hardly know we are here. Though our candles glow like Northern lights, we lose sight of it too and start to wonder.

For our friend in Vancouver, the biggest draw to Blaine is the sun. Between the cities of Vancouver and Seattle there exists an intricate pattern of microclimates, some of which are blessed with a hundred more days of sunshine per year. I know of pilots who have identified Ocean Shores, Washington from the air, and vowed to retire there. For us it would be in The San Juan Islands. We spend a lot of time on I 5.

In that hour lost I flipped the whole equation mentally, and re-imagined our life from the islands. It struck me as clear: turn everything around and live there. Live, love, write, and worship my new god, Ra.

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Notes on Notes

Notes-1

Last week’s blog post asked the question whether writers can be excused for note- taking while in the company of others—four people out for drinks in a cocktail lounge was the setting. Responses, of course, varied. One writer I admire admitted that it is, of course, preferable to be fully present with others and attend to the writing later.  Another writer lamented that “People don’t understand the scenes we play out in our heads or the importance of capturing that right word right now because in 10 seconds it will be gone!”

Together they straddled the dichotomy in my mind. I needed more opinions. There was no need to contact Miss Manners on the subject because I found I have had her for a friend all this time.

“Well, I think electronics are the worst kind of rude,” she said. “But the bottom line is if you are going out with friends, the idea is to be present with them. Even gazing out the window with one’s own thoughts can be rude if you are at a table for four and people are sharing their thoughts. I say stay totally available to friends when with them. If inspiration strikes, hold the thought and run to the powder room to make a few astute notes.”

Oh my.  There is no telling how many times I may have offended her over the years.

But before I had a chance to make up my own mind I was off to the Association of Writers and Writing Programs (AWP) in Seattle, where I would have the opportunity to query more writers on the subject. Being the largest annual literary event in North America, an event Sasha Weiss describes in The New Yorker as “a giant reunion of English majors thrilled to be back at school,” it comes as no surprise which side I came down on.

First I intended to ask JC Sevcik, a born writer. JC was participating in a panel discussion “Strange Families: Domestic Stories Illuminating Social Issues” at The Sheraton, just steps from the Washington State Convention Center. Conference rooms at the Sheraton are named after trees, so slinging my bag over my back I hiked past Douglas, Aspen, Cedar, Spruce, Madronna, and Willow to find him in the Redwood Room, straightening the tables in preparation for the event.

But then I took a seat, realizing that in all the time I have spent with JC, I have never seen him take notes. Yet he never misses a thing. I think he’s just so darn bright, and younger than some of us.

I got out my notebook and pen and waited.

“We write for a myriad of reasons,” moderator-writer Liza Monroy began. “We don’t always know why we are writing or what we are writing. We write to see ourselves through.” And then I don’t know whether she said it, or whether these were my own notes, but “Taking away the notebook is (comparable to) pulling the oxygen.”

In any case, the question was answering itself.

In the final hour of the final day of the conference, I met up with a couple other writer friends. Exhausted, we sprawled on the floor and I posed my question to them. They looked at me incredulously.

“If you want me to be present in the moment, put a pen in my hand,” stated Icess Fernandez Rojas. “I am never more present than when I am writing and reflecting about a slice of life.”

“When I take out my notebook to jot down or respond to something you’ve said, that’s a compliment,” Isla McKetta added. “It means you’ve inspired me to think more deeply.”

Now I don’t know how I ever saw it any other way. We must be up front about being writers, much like photographers shoot pictures and artists sketch. Notes are what we have to mine when we sit down to write. Notes spark stories, indeed, novels.

“Life and writing need not be mutually exclusive—at least not all the time. Almost everything you do, and every place you go, can lead to a story idea or a poem,” states Midge Raymond in her book Everyday Writing. “What matters is that you think like a writer—which in turn makes it impossible not to write…. And carrying a notebook is also a great reminder that no matter where you are, you are a writer.”

I knew all this of course, but for some reason I had to circle back and rally around it.

“Take a ridiculous amount of notes.” Midge Raymond continues. And I will do just that.

Riding home, some of the boys on the bus with me have ear buds connected to music the entire trip, and all day long for all I know. I never meet them, but I know it’s music they love. It’s all good. It’s all art. And no one is hurting anybody.

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The Good Life

sf_topothemark_sf-lgMy husband and I and our two grown daughters who call San Francisco home had climbed the heights of Nob Hill and ridden the elevator to the 19th floor of the Mark Hopkins Hotel for cocktail hour at Top of the Mark. Panoramic views of the city and the water and the bridges at sunset. A splendid site, the kind you write home about.

The last place in the world where you would expect to get into a little disagreement.

I am trying to recall it all. The signature martini menu, dance floor, and lounge atmosphere. Everyone dressed to the nine’s. A trip back in time and civility, expecting to see Tony Bennett take the mic in his easy stride and wide smile at any moment.

And that was what I was noting–in fact he was singing to me–when one of my daughters mentioned pointedly, “Mom, you can put that notebook away now.”

I don’t need to back up and inform you that we had had this discussion before concerning cell phones and texting in restaurants. But paper and pen? I always thought that the indisputable right of writers through the ages, and I was simply exercising my right.

But to the girls, it’s the same thing. Rude.

I’ve thought so much about this, I don’t know what I think anymore. A dilemma for all time, apparently.

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Blind Love

Passerbys are starting to look like people I know lately. Either we have all passed each other before, or life is running out of templates.

Everyone is aging except those I know and love. Billy Crystal, Kelly McGuiness, I hardly recognize you. Give me a minute when you step on stage, as I have to time-travel to catch up with today. When David Letterman lost all that weight for his late night talk show, he didn’t anticipate that he would look like the little old man who just lumbered across the sound stage to kiss the hand of Lauren Hill. A man I used to fantasize about dating, every night.

But visiting my parents in the third residence we have set up in their retirement, my mother bounces about her new apartment like the leading lady in an episode out of “Barefoot in the Park.” And if daddy only knew how young he looks, when not stressed and when feeling well.

Again, everyone ages but those we love. I continually give my husband this pass. If you were to ask me in a crowded room which one is Paul, I might  describe a tall man with dark hair—and you’d never find him.

My friends and I are on the verge of thinking we should either continue to climb all the stairs we possibly can every day, or consider eliminating them and look into one-floor living. Not for now, of course, but the future. The future being that cloaked stalker waiting right around the corner.

We need to have each other’s backs, as we are all lined up like dominoes. And love is the only pass I know.

I can’t remember whether Paul and I had married yet when I first brought him East to meet my grandparents. Being the gentleman he was, Grandpa rose to the occasion and took to Paul right away, giving him a tour of his home and sharing secrets I had never known. Like where the family safe was kept. I mean, who even knew there was one?

The two men then moved on from that location to the front parlor, and standing before my grandparents’ wedding picture—which the family had enlarged and mounted to poster size on the occasion of their 50th wedding anniversary—Grandpa gazed at it and noted fondly, “Mary hasn’t changed a bit.”

While Mary, my grandmother, so small and frail, sat confined to her chair in another room, unable to walk or to talk having suffered yet another stroke.

Love is blind and you’ve got to love it.

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