
BY KIMBERLY MAYER
A decade ago I was a columnist at Pyragraph, an online magazine for creatives of all types. My articles focused on writing and a couple of them pertained to what I called “my writing hut” here on San Juan Island. A little larger than a shed but smaller than a barn—we’ll call it a cabin—it had been on the property before the house. The original owners used the cabin as a bunkhouse while building the house. Nearly twenty years later as second owners, we lived on a boat while remodeling both the house and cabin.
The cabin was what I liked most about the property. Closer to the shoreline and more rustic, with the cabin I am back in the boathouses of my childhood in my mind, on a small lake in Connecticut—long before I’d ever heard of the Salish Sea. Back to a time of running free with other children every summer, kids among kids, exploring all the shoreline on foot and paddling about the lake like Native Americans—this being the boundary of our known world. And our sole responsibility, it seemed, at six, seven, eight, nine, and ten was simply to show up for meals.
I furnished the cabin on San Juan Island with a long pine refectory dining table along the window looking to the bay, and that is where I wrote. Upon the table, a collage of small square black and white photographs of those summers on the lake: learning to swim with my father, sitting with a pretty aunt upon a Sailfish, and a grandmother who always wore rubber shoes wading in the water. Where the woods meet the water and the sand feels like mud. Where ducks paddle by, and sometimes water can be heard lapping over stones. Water view, water sounds, and waterfowl. The resemblance between that lake in Connecticut and the bay on island is such that I hardly know where I am.
And that’s my point: everything is fluid, and not always what it seems. A house is sold and a memory is unlocked. A cabin gets decidedly furnished as a writing hut, a manuscript is put together, a literary agent found, and Covid hit. The writer goes unpublished, for now, unless you count being a columnist once again.
But the cabin has many lives! This fall it got covered with drop cloths–over books, over baskets of research, over the pine table, and over the floor. A friend and I set up easels, put on smocks and went to work. There really aren’t words to describe the longing to paint. The light is behind me now and I am not necessarily looking out the window, yet all I can do is smile. One day when I’ve grown very old it may all fold and meld together in my mind: the small lake in Connecticut, the bay on San Juan Island, the writers hut, and our art studio.
Originally published in The Journal of The San Juan Islands December 11, 2025









